What people tell us after they see the cut
Interview-driven storytelling for organizations with something worth discovering.
Trusted by
What we do
Interviews first. Then the visual work around them — the b-roll that gives a place its texture, cut tight and formatted to match how your brand already speaks.
What clients mention afterwards is rarely the footage. It's the shoot. Production has a reputation for being chaotic and extractive; we run it the other way around, and the people in front of the lens should finish the day glad they said yes.
We're ready to produce what you want the world to hear. Here is what it does once they do.
Education · Long Beach Unified School District
Campus introduction films across three high schools, and then the district's own recruitment campaign — Teach Long Beach, below. Separate briefs, separate school communities, separate budget cycles, working directly with the superintendent and heads of administration.
That last part is the credibility signal. Plenty of crews can shoot a campus. Districts hand you the superintendent's calendar once they trust you with the institution, not just the b-roll.
We Are Ready for You! The Teach Long Beach recruitment campaign.
The flagship
An African art store in Long Beach. A client assignment we turned into a narrative film — an original score, two festival selections, and a season of recognition for the shop at its centre.
The offer
Most engagements start as a Story Series: strategy first, then two production days across a project arc. It's the full arc from brief to delivery, not a day of shooting handed off for someone else to cut.
Producer-led from the first strategy call. Stakeholder interviews and narrative planning, two production days across a project arc, one anchor film plus two story pieces cut from the same capture. Full raw footage archive included.
I'm ready to start this →One production day. One anchor film of two to four minutes. Full raw footage archive included.
The right size when there is one thing to say and a date to say it by.
I'm ready to start this →Four production days across a season or a year. Anchor film, four story pieces, and Producer Engagement included, with the right crew brought in as scope grows.
Where the relationship goes once the first film has proved itself inside your organization.
I'm ready to start this →Strategy, narrative planning, shot-list architecture and stakeholder interviews — sold on its own, or folded into a Story Program. Per project, or $2,500–$3,500 monthly.
The buyer? Teams with a crew who need the thinking, and the leadership.
I'm ready to start this →In their words
Within two weeks, and within budget, he and his team created a gorgeous and effective promotional video — now featured on the homepage of my website.Dr. Theresa WongW Geriatrics
Super professional, got what I envisioned, and timely. He gives his feedback in ever so gentle a manner, so I didn't feel silly for my technical un-savvyness.Dr. Siva MohanAyurveda By Siva, Inc.
It was a delight working with David for our company introduction video. … I would enthusiastically recommend David to any company and or production team.Jeroen Van den BoschTitanium Toaster Corp
A few questions about budget, timeline and who you need to reach — then we talk. The form takes about two minutes.
A call, not a pitch. Twenty minutes.
